Christina Kubisch, born in Bremen 1948, belongs to the first generation of sound artists. Kubisch’s practice ranges from performances, concerts, to works with video and visual art, but she is best known for her sound installations and electro-acoustic compositions.
Kubisch created her personal artistic strategies by developing and transforming technologies such as ultraviolet light, solar energy or electromagnetic induction. In her installations she merges audio and visual arts to create multi-sensory experiences for the participants, who are invited to become active as listeners and performers.
Since 2003 she has realised the ongoing series “Electrical Walks” worldwide, sound walks in urban spaces, where electromagnetic fields become amplified and audible by custom-made headphones.
Christina Kubisch has been a professor for audiovisual arts in Berlin, Paris, Saarbrücken and Oxford. She is a member of Akademie der Künste, Berlin. Her installations, compositions and audio-visual works have been presented since 1973 in solo and group exhibitions in Europe, USA, Asia, Australia and South America as well as in international festivals and group exhibitions. She received numerous grants and awards such as the Giga-Hertz award 2021 for her life achievement.
Christina Kubisch lives and works in Berlin.
Christina Kubisch, born in Bremen in 1948, belongs to the first generation of sound artists. After studying in Germany, Switzerland and Italy, she lived in Milan until 1987. Trained as a flutist and composer, she manifested herself very early as an artist at the intersection of visual art, media and music. In the 1970s, these included above all gender-critical performances and the cycle of Video-Concerts created in collaboration with the Italian artist Fabrizio Plessi. Since the beginning of the 1980s her work continues with space-related sound installations, work with magnetic induction and other self-developed audiovisual means.In the mid-1980s she began to include light as an additional medium in her works and created large-scale site-specific installations combining visual and acoustic elements.
In 2003 she started the Electrical Walks series – sound walks in urban spaces, where electromagnetic fields become amplified and audible by custom-made headphones. The Electrical Walks have been realized since then in 84 cities and will Biocontinue to be realized worldwide.
Christina Kubisch has had solo exhibitions in museums and galleries in Europe, Asia, Australia, North and South America since 1974. She has participated in numerous international festivals and group exhibitions. These include pro musica nova in Bremen 1976 and 1980, Für Augen und Ohren in Berlin 1980, Biennale di Venezia 1980,1982 and 2021, documenta 8 in Kassel 1987, Ars Electronica in Linz 1987, 2007 and 2020, Biennale of Sydney 1990, Donaueschinger Musiktage 1993, 1997 and 2011, sonambiente in Berlin 1996 and 2006, Sonic Boom in London 2000, sounding spaces in Tokyo 2003, B!AS International Sound Art Exhibition in Taipei 2005, Invisible Geographies in New York 2006, Huddersfield Contemporary Music Festival 2007, Sound Art. Sound as a Medium of Art at ZKM | Karlsruhe 2012, Free Sound, The Future Lab in Osaka 2016, Soundtracks at the Museum of Modern Art San Francisco 2017, documenta 14 in Athens 2017, UNArt in Shanghai 2018, Sonic Acts in Amsterdam 2019, Time:Spans in New York 2019, Ultima Contemporary Music Festival in Oslo 2019, Biennale Musica in Venice 2021.
Her sound installations are in permanent collections at museums such as the Museum of Contemporary Arts in San Francisco, MASS MoCA in Massachusetts and Hamburger Bahnhof in Berlin.
Christina Kubisch received numerous grants, residencies, and awards, among others the ars viva award of the German Industrial association (BDI) 1988, the Carl Djerassi Honorary Fellowship 2000, USA, the Honorary Award of the German Sound Art Prize 2008, the SR Media Art award 2009, the Karl-Sczuka- price (with Peter Kutin and Florian Kindlinger) 2016, the Venice Biennale Musica award for best premiere 2021 and the Giga -Hertz-Preis , ZKM in 2021 for her life achievement.
Since 1975 she has published her music on various international labels such as: Auf dem Nil, Cramps Records, Edition RZ, ampersand, semishigure, Die Schachtel, Important Records, Gruenrekorder, Tochnit Aleph, Fragment Factory and Astres d’Or.
Christina Kubisch has taught as guest professor in Paris, Berlin and Oxford. From 1994 to 2013 she held the chair for Audiovisual Arts at the Hochschule der Bildenden Künste Saar in Saarbrücken. Since 1997 she is a member of the Akademie der Künste, Berlin.
Christina Kubisch lives and works in Berlin.
Christina Kubisch
| 1948 | Born in Bremen, Germany |
| 1967–68 | Attends the Academy of Fine Arts, Stuttgart, Germany. Studies painting with K.R.H. Sonderborg |
| 1969–72 | Studies music (flute, piano, composition) at the Academy of Music in Hamburg, Germany and at the Jazz Academy of Graz, Austria |
| 1972–74 | Studies music at the Conservatory of Zurich and art at the Freie Kunstschule of Zurich, Switzerland |
| 1974 | Moves to Milan, Italy |
| 1974–76 | Studies composition with Franco Donatoni and electronic music at the Conservatory of Milan Graduates with Diploma |
| 1974–80 | Solo Performances and concerts in Europe and the United States |
| Collaboration with the Italian artist Fabrizio Plessi (video concerts – video installations) | |
| 1980–81 | Studies electronics at the Technical Institute of Milan |
| Starts to work with electromagnetic induction systems | |
| 1986 | Starts to work with ultraviolet light |
| 1987 | Moves to Berlin |
| 1988 | Award of the German Industrial Association (BDI) |
| Residency grant at the Barkenhoff, Worpswede, Germany | |
| 1989 | Guest lecturer at the Jan van Eyck Academy, Maastricht, Netherlands |
| 1990 | Project grant from the Kunstfonds e.V, Bonn |
| 1990–91 | Lecturer at the Academy of Fine Arts, Münster, Germany |
| Working grant from the Senator for Cultural Affairs, Berlin | |
| First installations with solar energy | |
| 1991–94 | Guest professor at the Academy of Fine Arts, Berlin |
| 1992 | International residency project, Queen Elizabeth II Arts Council of New Zealand |
| 1994 | Studio grant from the Senator for Cultural Affairs, Berlin |
| Guest professor at the Ecole Nationale Supérieure des Beaux Arts, Paris | |
| 1994–2013 | Professor of Audio-Visual Arts at the Academy of Fine Arts in Saarbrücken, Germany |
| Founder of the sound department of the academy | |
| since 1997 | Member of the Akademie der Künste, Berlin |
| Heidelberg Artists Prize | |
| Composition grant from the City of Berlin. Carl Djerassi Honorary Fellowship Lecturer at the Darmstadt Ferienkurse. | |
| Carl Djerassi Honorary Fellowship | |
| Lecturer at the Darmstadt Ferienkurse | |
| 2002 | Grant from International Artists’ Studio Program in Sweden (IASPIS), Stockholm |
| 2004 | Starts the Electrical Walks series |
| 2008 | Honour Award of the German Sound Art Award |
| Prix Ars Electronica, Honorary Mention Digital Musics | |
| 2009 | DIVA residency Copenhagen (Danish International Visiting Artists Exchange Programme) |
| SR Media Art Award, Saarländischer Rundfunk, Germany | |
| 2013 | City Sound Artist Bonn, grant from Beethovenstiftung für Kunst und Kultur, Bonn, Germany |
| 2013/2014 | Senior Research Fellow at Sonic Art Research Unit, Oxford Brookes University, UK |
| 2015 | Composer-in-residence, Visby International Centre for Composers, Gotland, Sweden |
| 2016 | Karl Sczuka Prize for Radio Art (with Peter Kutin and Florian Kindlinger) |
| 2018 | Lecturer at the International Darmstadt Ferienkurse for New Music |
| 2018/2020 | Lecturer at the University of Arts Berlin, department “Sound Studies” |
| 2021 | Prize for the best world premiere at the Venice Biennale Musica |
| Giga_Hertz_Preis für das Lebenswerk, ZKM Karlsruhe |
Christina Kubisch lives in Berlin.
| 2023 | Verweben, Klangraum Minoritenkirche , Krems (Austria) |
| Interstices Magnétiques, Espace Multhimédia Gantner, Belfort, France (B) | |
| 2022 | Hidden Waves, Kunsthall Trondheim, Norway (C) |
| Alla Turca, Schwetzinger Festspiele, Moscheegarten, SWR Festival, Germany | |
| 2021 | Christina Kubisch, Museo de arte moderna Serralves, Porto, Portugal |
| Weaving, DA, Kunsthaus Kloster Gravenhorst, Germany (C) | |
| Transmission, Gallery Mario Mazzoli, Berlin, Germany (C) | |
| Christina Kubisch, Museo de arte contemporanea Serralves, Porto | |
| Das Glashaus, Saarlandmuseum Moderne Galerie, Saarbrücken | |
| 2020 | Kupferhimmel, Märkisches Museum Witten, Germany |
| 2019 | Electrical Moods, Stadtgalerie Saarbrücken, Germany (C) |
| Échos magnétiques, Musée des Beaux-Arts de Rennes, France (C) | |
| Weaving, Atelier Nord Oslo, Norway (C) | |
| 2018 | PLAY, Akademie der Künste Berlin, Germany |
| ON AIR, Re-Installation 1984/2018, Museum Schnütgen in St. Cäcilien, Cologne, Germany | |
| Orchestra On A Wire, International Summer Courses of New Music, Darmstadt, Germany | |
| Electrical Walks, UNArt Center Shanghai, China | |
| 2017 | Sound & the City, L´Inox, Bordeaux, France |
| 2016 | Free Sound, Knowledge Capital/ars electronica, Osaka, Japan |
| Omnivoyeur, BACC, Bangkok Art and Culture Center, Thailand (with Miti Ruangkritya) | |
| Voices Of Memory, Irish National War Memorial Gardens, Dublin, Ireland (CD) | |
| Brunnenlieder, Museum Lindwurm, Stein am Rhein, Switzerland | |
| 2015 | Remote Relations, Kunstverein Körsbärsgården, Sundre, Gotland, Sweden |
| Hidden From View, Gallery Mario Mazzoli, Berlin, Germany | |
| Listening to a Building, Peter-Behrens-Bau Höchst, Frankfurt, Germany | |
| Vibrations, Gallery Rumpsti Pumsti, Berlin, Germany | |
| 2014 | Unter Grund, Zeche Zollverein, Essen, Germany (CD) |
| 2013 | Rheinklänge (fluid landscapes), bonn hoeren, Rheinufer Bonn, Germany |
| Zwölf Klänge und ein Innenhof, Kirche St. Remigius, Bonn, Germany | |
| 2012 | Cloud, Run Run Shaw Creative Media Center, Hongkong, China |
| Silentium? Stiftskirche Kaiserslautern, Germany | |
| Jardin Solaire, permanent installation, Goethe-Institut Nancy, France | |
| 2011 | Dichte Wolken, Museum Ostwall im Dortmunder U, Germany (CD) |
| Silences électriques, Abbaye de Noirlac, France (C) | |
| Silence. Silent? (mit Robin Minard), Gallery Mario Mazzoli, Berlin, Germany | |
| Silence. Silence? Aubette 1928, Strasbourg, France | |
| 2010 | Wellenfang, Skulpturenmuseum Glaskasten, Marl, Germany (C, DVD) |
| Paysages de la Ruhr, Goethe-Institut, Nancy, France | |
| Schöne Stellen (für Theodor W. Adorno), Goldhalle Hessischer Rundfunk, Frankfurt, Germany | |
| 2009 | Stromzeichnungen, works from 1973 – 2008, Skulpturenmuseum Glaskasten, Marl, Germany (C) |
| Klang Rom Stillhet, Mortensrud Kirke, Oslo, Norway | |
| Klang Rom Stillhet, Korskirken, Bergen, Norway | |
| Elektromagnetische Vermessungen, Tonspur 29, Museumsquartier, Vienna, Austria | |
| Double Scanning (mit Ellen Fellmann), T-U-B-E, Munich, Germany | |
| Electrical Walks København, Wundergrund Festival, Jazz Kælderen, Copenhagen, Denmark | |
| Diapason II, Malmö, Sweden | |
| 2008 | Über die Stille, Fruchthalle, Kunstverein Kaiserslautern, Germany (C) |
| Stromzeichnungen, works from 1973 – 2008, Kunsthalle Bremen, Germany (C) | |
| Arènes sonores, Parking Carnot, Portiers, France | |
| Promenades électromagnétiques Poitiers, Ville de Poitiers, France | |
| Promenades électriques Montréal, Oboro / Goethe-Institut Montréal, Canada | |
| Elektrische Landschaften, Kunstverein Ludwigsburg Germany (C) | |
| 2007 | unsichtbar / unhörbar, Gallery Krammig & Pepper Contemporary, Berlin, Germany |
| 2006 | A History of Archives, Rönnells Antikvariat, Stockholm, Sweden |
| Licht Himmel, Gasometer Oberhausen, Germany | |
| E silenzio negli angoli, Gallery e/static, Turin, Italy | |
| Magnetic Nets, Galerie de Schone Kunsten, Haarlem, Netherlands | |
| Sichtbare Stille, Emerson Gallery, Berlin, Germany | |
| e-legend / Electrical Walks, Ikon Gallery, Birmingham, UK (CD) | |
| Über die Stille, Cloyster Weingarten, Akademie der Diözese Rottenburg-Stuttgart, Germany | |
| 2005 | 24 pictures at an exhibition, Ystads Konstmuseum, Ystad, Sweden |
| UV-Fotografie, Objekte, Film. Klostergalerie, Zehdenick, Germany | |
| Electrical Walks, Zeichnungen, Partituren und ein Klangraum, Gallery Beim Steinernen Kreuz, Bremen, Germany | |
| 2004 | On Air, Gallery e/static, Turin, Italy |
| Zwölf Signale, Badisches Landesmuseum/Schloss Neuenbürg, Germany (C) | |
| Kabel und Verbindungen, Gallery Haferkamp, Cologne, Germany | |
| Versprochene Paradiese, VOXXX Galerie, Chemnitz, Germany | |
| Zeitversetzt, Castle Ettersburg, Weimar, Germany (mit Bernhard Leitner) (C) | |
| 2003 | Blue Hour, IASPIS Gallery, Stockholm, Sweden |
| Partituren aus 30 Jahren, Gallery gelbeMUSIK, Berlin, Germany | |
| White Landscape, Kunsthal Charlottenborg, Copenhagen, Denmark (C) | |
| Minnen, Arkitekturmuseet, Stockholm, Sweden | |
| 2002 | Lichtspuren, Kunstverein Ebersberg, Germany (C) |
| Dreiunddreißig Felder, Singuhr – Hörgalerie, Parochialkirche, Berlin, Germany | |
| Licht – Klang – Spuren, Cultural Foundation Castle Agathenburg/ Art Studio 1, Deinste, Germany (C) | |
| Christina Kubisch, Zeichnungen und Partituren, Gallery pepperprojects, Berlin, Germany | |
| Arkadien, Bunkermuseum, Oberhausen, Germany (C) | |
| 2001 | Das Original, Haus Kemnade, Kunstverein Bochum |
| Le jardin magnétique, cité de la musique, Paris | |
| Licht Spuren Raum, Centre for international light art, Unna, Germany (C) | |
| Zwölf Tafeln, Gallery Terbrüggen, Art Basel, Switzerland | |
| Lichtanlage, Gallery Beim Steinernen Kreuz, Bremen, Germany | |
| Sanierung, Brandenburgischer Kunstverein Potsdam, Germany | |
| Durchsicht, Gallery pepperprojects, Berlin, Germany | |
| 2000 | Der Glocken Schlag, Matthäuskirche, Berlin, Germany |
| Zwölf Säulen und zwölf Klänge, Karmelitenkirche Munich, Germany (C) | |
| Klang Raum Licht Zeit, Opel-Villen, Rüsselsheim, Germany (C/CD) | |
| Kompositum, Gallery Claudia Böer, Hannover, Germany | |
| echt – falsch, Gallery Klaus Fischer + Runge, Berlin, Germany | |
| Klang Raum Licht Zeit, Städtische Galerie Delmenhorst, Germany | |
| 1999 | Zwei Räume, Museum in der Kaiserpfalz, Paderborn, Germany |
| Aufzeichnungen, Städtische Galerie im Buntentor, Bremen, Germany (C) | |
| Klang Fluß Licht Quelle, Klangkunstforum Park Kolonnaden, Berlin, Germany | |
| Tafelmusik, Bellevuesaal, Wiesbaden, Germany (C) | |
| Oase 2000, Kunstverein Heidelberg, Germany | |
| 1998 | Dreaming of a major third, Gallery gelbeMUSIK, Berlin, Germany |
| Mausoleum, Akademie der Künste, Berlin, Germany | |
| 1997 | Über die Stille, Gallery Beim Steinernen Kreuz, Bremen, Germany |
| Zwölf Tafeln, Johanniskirche, Saarbrücken, Germany | |
| The Clocktower Project, MASS MoCA, Massachusetts Museum of Contemporary Art, North Adams, USA (CD) | |
| Sieben Fenster und acht Klänge, Art center oft he city of Backnang, Germany | |
| Dodici luci e undici suoni, Chiesa di Santa Caterina dei Funari, Rome, Italy | |
| 1996 | Sein und Schein, Gallery Claudia Böer, Hannover, Germany |
| Cross Examination, Goldie Paley Gallery, Philadelphia, USA (C) | |
| Zwischenräume, Stadtgalerie Saarbrücken, Germany (C) | |
| Acht Säulen und ein Raum, Kunstverein Ulm, Germany | |
| Musik und Raum, Gallery Anita Beckers, Darmstadt, Germany | |
| The True & The False, Centre J&J Donguy, Paris, France | |
| 1994 | consecutio temporum II, experimental-studio, Akademie der Künste am Pariser Platz, Berlin, Germany |
| Watching out, Goethe House, London, UK | |
| consecutio temporum III, Paço Imperial, Rio de Janeiro, Brasil | |
| Sechs Spiegel, Ludwigskirche, Saarbrücken, Germany (CD) | |
| 1993 | De Dag/De Nacht, de Vleeshal, Stichting Beeldende Kunst, Middelburg, Netherlands (C) |
| Zeitenwende, Castle of Rastatt, Kunstverein Rastatt, Germany (C) | |
| Azur, Kunstverein Springhornhof, Neuenkirchen (Soltau), Germany (C) | |
| Wachträume, Kulturzentrum Alte Hauptfeuerwache, Mannheim, Germany | |
| Im Laufe der Zeit, Badisches Landesmuseum, Karlsruhe, Germany (C) | |
| consecutio temporum I, Museum Haus Koekkoek, City Archive Kleve, Germany | |
| 1992 | Natura Morta, Neuer Berliner Kunstverein, Berlin (C) |
| Ich weiß nicht, was soll es bedeuten, Gallery Ursula Walbröl, Hilden, Germany (C) | |
| Soundinstallations, Gallery Henn, Maastricht, Netherlands | |
| Alba, Wellington City Art Gallery, Wellington, New Zealand (C) | |
| Kein schöner Land, George Fraser Gallery, Art Space, Auckland, New Zealand | |
| The True and The False, P3, Art and Environment, Tokyo, Japan (C) | |
| Kleine Metarmorphose, Gallery Fragile Gesellschaft, Berlin, Germany | |
| The True and The False, Bea Voigt Gallery, Munich, Germany | |
| Colunas sonoras, Museu de Arte Moderna, Belo Horizonte, Brasil | |
| black and white, Centro cultural da ufmg, Belo Horizonte, Brasil | |
| 1991 | Music Between Parallel Wires, Xebec Hall, Kobe, Japan |
| Magnetic Forest, University for Arts and Design, Kyoto, Japan (C) | |
| Nachzeit, Filmkunsthaus Babylon, Berlin, Germany (C) | |
| Salle des pas perdus, Musée Cantonal des Beaux-Arts, Sion, Switzerland (C) | |
| Nachzeit, Gasteig, Munich, Germany | |
| 1990 | Landschaft, Museum Fridericianum, Kassel, Germany |
| Zwischenräume IV, Skulpturenmuseum Glaskasten, Marl, Germany | |
| Grenzgänge, Neue Kunst im Hagenbucher, Heilbronn, Germany | |
| Klanginstallationen, Gallery Heppächer, Esslingen, Germany | |
| 1989 | Orte der Zeit, Städtische Galerie am Markt, Schwäbisch Hall, Germany (C) |
| Orte der Zeit, Kunstraum Munich, Germany (C) | |
| Kein schöner Land, Kunstverein Ganderkesee, Kreis Oldenburg, Germany | |
| Landscape, Walter Phillips Gallery, Banff, Canada | |
| 1988 | Kraterzonen, Kunstverein Giannozzo, Berlin, Germany (C) |
| 1987 | Planetarium, Apollohuis Eindhoven, Netherlands |
| 1986 | Iter Magneticum, Kunstverein Giannozzo, Berlin, Germany |
| Soundscape, Time Based Arts, Amsterdam, Netherlands | |
| Klanginstallationen, Kunstverein Pforzheim, Germany | |
| 1985 | Klanginstallationen, Gesellschaft für Aktuelle Kunst, Bremen, Germany (C) |
| Magnetic Air, Abbazia di Sant’Andrea, Vercelli, Italy | |
| 1984 | Sentieri Magnetici, Centro d’Arte Laboratorio, Morimondo, Italy |
| On Air, Castello di Gargonza, Monte San Savino, Italy (C) | |
| Musik für einen Raum, Moltkerei Werkstatt, Cologne, Germany | |
| 1982 | Retroscena – un percorso magnetico, CRT, Centro Ricerche Teatro, Milan, Italy |
| 1981 | Ecoutez les murs, Goethe Institut, Lyon, France |
| 1979 | Christina Kubisch, Modern Art Gallery Grita Insam, Vienna, Austria |
| Kubisch & Plessi, Gallery Dany Keller, Munich, Germany | |
| A History of Soundcards, Studio ’74, La Spezia, Italy | |
| 1978 | Kubisch und Plessi, Neue Galerie, Sammlung Ludwig, Aachen, Germany und ICC, Internationaal Cultureel Center, Antwerp, Netherlands (C)Twòrkòw Kultury Forum Club, Kracow, Poland (C) |
| 1976 | Christina Kubisch, Gallery Giancarlo Bocchi, Milan, Italy (C) |
(C) = Catalogue, (B) = Book
| 2023 | A bruit secret, Das Hören in der Kunst, Museum Tinguely, Basel |
| Bien Urbain, Festival d’art dans ‘espace public, Besancon | |
| The Sound, Sonic Arts in Public Spaces, Monheim, Germany | |
| Listening Post – dalle Pratiche di Ascolto alla Sound Art, Galleria di Piazza San Marco, Venice | |
| Studio Stadt. Peripherien elektronischer Musik, Kunstraum München, Munich | |
| KorSonor, arts sonores et visuels, Arta Sperto, Le Commun, Genève | |
| 2022 | Kinetismus – 100 Years of Electricity in Art, Kunsthalle Praha, Prague (B) |
| POLYPHONE, musée d’art et d’histoire Paul Eluard, St. Denis/Paris (B) | |
| In the Field, european capital of culture, Esch-sur-Alzette, France | |
| OUT OF TIME, Ripartire della natura, Padiglione d’arte contemporanea, Ferrara (C | |
| Short Waves Festival, Poznan, Poland | |
| Pochen Biennale, Chemnitz, Germany (C) | |
| Broken Music / Vol.2 , Hamburger Bahnhof, Berlin | |
| 2021 | Polyphone. Mehrstimmigkeit in Bild und Ton, Museum Für Angewandte Kunst, Gera, Germany (C) |
| We Can Be Heroes, basis, Frankfurt (C) | |
| Sound and Silence, Kunstmuseum Bonn (C) | |
| 2020 | Sound, Klang erleben, Neuer Kunstverein Aschaffenburg, Germany (C) |
| 2019 | LE MANSONORE, Biennale Internationale Du Son, France |
| Ultima, Oslo Contemporary Music Festival, Sentralen, Oslo | |
| 2018 | Vergessen, Historisches Museum Frankfurt, Germany (C) |
| Radiophonic Spaces, HKW, Berlin / Museum Tinguely, Basel, Switzerland (C) | |
| Vision Radio, Akademie der Künste, Berlin | |
| Mappe Sonore, Kunstraum Goethe, Rome | |
| AMBITUS. Art and Music Today, Kunstmuseum Kloster Unser Lieben Frauen Magdeburg (C) | |
| Orchestra On A Wire, Darmstadt Summer Course Berlinzulage. Künstlerhaus Bethanien, Berlin (C) | |
| Sonic Acts, Dansmakers, Amsterdam | |
| 2017 | Ural Industrial Biennal of Contemporary Art, Jekaterinburg, Russia (C) |
| Kontakte. Biennale für Elektroakustische Musik und Klangkunst, Akademie der Künste Berlin | |
| Aufgetaucht. Basels geheimnisvolle Wasserfunde, Historisches Museum Basel | |
| Ars Electronica in Berlin, DRIVE, Volkswagen Group Forum, Berlin | |
| Soundtracks, SFMOMA, San Francisco, US (C) | |
| Sound & the City – Interférences, Bordeaux, France | |
| Expozice nové hudby 2017, Villa Tugendthat, Brno, Czech Republic | |
| Silenzio d´alberi, Villa Brandolini, Pieve di Soligo, Italy (C) | |
| Cut & Splice Festival, Manchester, GB | |
| 2016 | Die Akademie der Künste zu Gast in der Kunstsammlung Chemnitz, Germany (C) |
| Destroy Vancouver, VIVI Media Arts Centre, Vancouver | |
| Trekking in Time, Ystad konstmuseum, Sweden (C) | |
| Sounding City – Sound of Silence, Broelmuseum, Festival van Vlaanderen Kortrijk, Belgium | |
| DEMO:POLIS – Dezentrale Musik, Akademie der Künste, Berlin (C) | |
| 2015 | Mobile Audio Fest, École supérieure d‘art, Aix-en-Provence, France |
| Transducing the City, Elektromagnetische Topographien, Ausstellungszentrum Heiligenkreuzer Hof, Vienna | |
| Cycle Music and Art Festival, Reykjavik | |
| 2014 | Rapunzel & Co, von Türmen und Menschen in der Kunst, Arp Museum, Remagen-Rolandseck, Germany (C) |
| Kunst Klang Mensch Baum, Alpen-Adria-Universität, Klagenfurt, Austria (C) | |
| Audiograft, Brookes University, Oxford, GB | |
| Dernières nouvelles de l’Éther, La Panacée, Montpellier, France | |
| Soundplay, sound art & field recording festival, Gdańsk, Poland | |
| Connecting Sound, MuseumsQuartier Vienna (C) | |
| 2013 | Kultur:Stadt, Musik in der Wolke, Akademie der Künste, Berlin |
| Serge Stauffer – Kunst als Forschung, Helmhaus Zurich, Switzerland (C) | |
| Festival van Vlaanderen, Klassiek, Hedendaags & Geluidskunst Kortrijk, Belgium | |
| 2012 | Bis hier – 50 Jahre Kunstverein Bochum, Kunstverein Bochum, Germany |
| Sound City Days, Košice, Slovakia | |
| Sensing Place. Zur medialen Durchdringung des urbanen Raums, Haus für elektronische Künste Basel, Switzerland(C) | |
| Re.Act.Feminism, A Performing Archive, Akademie der Künste, Berlin | |
| Cage 100, Künstlerische Interventionen am Hauptbahnhof Darmstadt, Germany | |
| John Cage und …, MdM, Museum der Moderne Salzburg, Austria (C) | |
| Rasterfahndung. Das Raster in der Kunst nach 1945, Kunstmuseum Stuttgart, Germany (C) | |
| Sound Art. Klang als Medium der Kunst, ZKM, Karlsruhe, Germany (C) | |
| 2011 | Anicroches – Variations, Choral et Fugue, Espace Culturel Luis Vuitton, Paris (C) |
| Donaueschinger Musiktage, Donaueschingen, Germany | |
| 2010 | Trama Festival, Porto, Portugal |
| Ars Electronica, Linz, Vienna | |
| SUD 2010, Salon Urbain de Douala, Cameroun | |
| Impakt Festival, Utrecht, Netherlands | |
| Klangi, Aboa Vetus & Ars Nova museum, Turku, Finland | |
| Denkbare Partituren, gelbe Musik im Neuen Berliner Kunstverein, Berlin | |
| Micro Clima – festival de la création sonore et de l’écoute, Poitiers, France | |
| Klangkunst – a german sound, Goethe-Institut, Rome | |
| 2009 | Genius Loci, Graphik Biennale, Novosibirsk, Russia (C) |
| Corps Sonore, Lausanne, Switzerland | |
| Expo Leeds, Leeds, GB | |
| Biennale Internationale d’Art Contemporain de Melle, Melle, France | |
| Triennale di Milano, Milan, Italy | |
| 2008 | Mois Multi, Meduse, Quebec, Canada |
| The Marfa Sessions, The Ballroom, Marfa, Texas, US | |
| Prague Trienniale, Prague (C) | |
| Berlin im Licht, Märkisches Museum, Berlin (C) | |
| Nature & Sons, Chateaux de Seneffe, Belgium (DVD) | |
| Soni(c)loud, Mexico City | |
| 2007 | Huddersfield Contemporary Music Festival, Huddersfield, GB |
| Outer Ear, Festival of Sound, Chicago, US | |
| Happy New Ears Festival, Kortrijk, Belgium | |
| Piombino_eXperimenta 3, Piombino, Italy | |
| Mosaic City, Daejeon, Corea (C) | |
| Klangräume Sibiu, Rumania | |
| Im Auge des Klangs, Museum Schloss Moyland, Bedburg-Hau, Germany (C) | |
| Sound//Bytes_, electronic and digital soundworlds, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany (C) | |
| Sharjah Biennial – Still Life, Sharjah, United Arab Emirates (C) | |
| 2006 | On / Off, Saarlandmuseum, Saarbrücken, Germany (C) |
| Lichtrouten, St.-Joseph-und-Medardus-Kirche, Lüdenscheid, Germany (C) | |
| Invisible Geographies: Sound Art from Germany, The Kitchen, New York | |
| priceless, motiroti und Serpentine Gallery, London | |
| Skanu Mesz / Klangwald, Riga, Latvia | |
| Sonoric Perspectives, Ostseebiennale der Klangkunst, Kunsthalle Rostock, Germany and Konstmuseum Ystad, Sweden (C) | |
| sonambiente – festival für hören und sehen, Akademie der Künste / Berliner Festspiele, Berlin (C) | |
| )toon) festival, Haarlem, Netherlands | |
| Place and Space, Stockholm New Music, Stockholm (C) | |
| 2005 | Her Noise, South London Gallery, London (C) |
| Die Sprache des Materials, Skulpturenmuseum Marl, Germany | |
| Resonanzen, ZKM, Karlsruhe, Germany (C) | |
| Sound Out, Cork, Irland (C) | |
| B!AS International Sound Art Exhibition, Taipei Fine Arts Museum, Taiwan (C) | |
| Itinerarios del Sonido Encuentros, Conde Duque Centro Cultural, Madrid, Spain | |
| Künstler.Archiv, Akademie der Künste, Berlin (C) | |
| Prolog, Akademie der Künste, Berlin (C) | |
| VENT Festival, Oxford, GB | |
| Es werde Licht, Marktkirche, Hannover, Germany | |
| bienenhaus.schwirren, Kunstraum Kreuzlingen, Switzerland | |
| 2004 | Eye & Ear, Galerie Corbett vs. Dempsey, Chicago, US |
| Perspectives 2004, Västeras, Sweden (C) | |
| Spaces for You – Stepping Out!, Sendai, Japan (C) | |
| RaumKlang – KlangRaum, Aspekte Internationaler Klangkunst, Cologne, Germany (C) | |
| Schumannfest, Tonhalle, Düsseldorf, Germany | |
| Sonoric Atmospheres, Ostseebiennale der Klangkunst, Bad Doberan, Germany (C) | |
| Musik und Raum, Lucerne Festival, Lucerne, Switzerland (C) | |
| club transmediale, festival for electronic music and related visual arts, prussian research institute for water and shipping, Berlin | |
| 2003 | Klangkunst Festival, Unna, Germany (C) |
| witterung.stromaufwärts, Festival Rümlingen, Switzerland (C) | |
| Mit Sinnen, Skulpturenmuseum Marl, Germany sounding spaces, ICC, Tokyo (C) | |
| before and after sound, Gallerie e/static, Turin, Italy | |
| Activating the Medium, SFMoMA, San Francisco (C) | |
| 2002 | Archipel – musiques d’aujourd’hui, Maison comunale de Plainpalais, Geneva, Switzerland Fluxus und Freunde, Museum Weserburg, Bremen, Germany (C) Verortungen, Sächsische Landesgartenschau, Großenhain, Germany (C) Resonanzen, Stadtgalerie Saarbrücken, Saarbrücken, Germany (C) Der Berg, Heidelberger Kunstverein, Heidelberg, Germany (C) |
| Resonanzen, Stadtgalerie Saarbrücken, Saarbrücken, Germany (C) | |
| Verortungen, Sächsische Landesgartenschau, Großenhain, Germany (C) | |
| Fluxus und Freunde, Museum Weserburg, Bremen, Germany (C) | |
| Archipel – musiques d’aujourd’hui, Maison comunale de Plainpalais, Geneva, Switzerland | |
| 2001 | Visual Sound, Mattress Factory, Pittsburgh, US (C) Wer hat Angst vor Roger Whittaker?, Freunde Aktueller Kunst e.V., Städtisches Museum Zwickau, Germany (C) Licht im Schacht – Schicht im Schacht, Museum Industriekultur Osnabrück, Germany (C) Urban Nature, Göteborgs Konsthall, Sweden (C) Utopien heute, Wilhelm-Hack-Museum, Ludwigshafen, Germany (C) |
| Urban Nature, Göteborgs Konsthall, Sweden (C) | |
| Licht im Schacht – Schicht im Schacht, Museum Industriekultur Osnabrück, Germany (C) | |
| Wer hat Angst vor Roger Whittaker?, Freunde Aktueller Kunst e.V., Städtisches Museum Zwickau, Germany (C) | |
| Visual Sound, Mattress Factory, Pittsburgh, US (C) | |
| 2000 | Kunstszene Saar 2000, Museum Sankt Ingbert/Albert Weisgerber Stiftung, St. Ingbert, Germany (C) |
| resonancias, Museo Municipal de Malaga, Málaga, Spain (C) | |
| Architektur und Klang, Architekturmuseum Schwaben, Augsburg, Germany (C) | |
| Fort Lux, Fort Ijmuiden, Netherlands | |
| Inventionen, Sophiensäle, Berlin (C) | |
| Wittener Tage für neue Kammermusik, Witten, Germany (C) | |
| Sonic Boom, Hayward Gallery, London (C) | |
| Light Pieces, Casino Luxembourg, Forum d’art contemporain, Luxembourg (C) | |
| 1999 | Lichtparcours, Kunstverein Braunschweig, Germany (C) UND II. Klang – Kunst – Festival, Bellevue-Saal, Wiesbaden, Germany (C) Festival d’art sonor, Centre de Cultura Contemporànea, Barcelona, Spain El espacio del sonido – El tiempo de la mirada, Koldo Mitxelena Kulturanea, San Sebastian, Spain (C) |
| Festival d’art sonor, Centre de Cultura Contemporànea, Barcelona, Spain | |
| UND II. Klang – Kunst – Festival, Bellevue-Saal, Wiesbaden, Germany (C) | |
| Lichtparcours, Kunstverein Braunschweig, Germany (C) | |
| 1998 | Kunst unter Tage, Rischbachstollen, St. Ingbert, Germany (C) |
| EarMarks, Massachusetts Museum of Contemporary Arts, North Adams, US | |
| post naturam – nach der Natur, Hessisches Landesmuseum, Darmstadt, Germany (C) | |
| post naturam – nach der Natur, Städtische Ausstellungshalle Am Hawerkamp, Münster, Germany (C) | |
| not for sale – for sale, Galerie Anita Beckers, Darmstadt, Germany | |
| 1997 | p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; color: #000000} span.Apple-tab-span {white-space:pre} witness, Galerie im Kornhauskeller, Ulm, Germany (C) |
| Donaueschinger Musiktage, Orangery Castle Parc, Donaueschingen, Germany (C) | |
| in medias res – Fotografie und andere Medienkunst aus Berlin, cultural centre Dolmabahçe, Istanbul (C) | |
| Inszenierung und Vergegenwärtigung, Martinskirche, Kassel, Germany (C) | |
| Am Nerv der Zeit, Nassauischer Kunstverein, Wiesbaden, Germany (C) | |
| Impakt Festival, Academiegebouw, Utrecht, Netherlands (C) | |
| Augenzeugen – Die Sammlung Hanck, Kunstmuseum Düsseldorf im Ehrenhof, Düsseldorf, Germany (C) | |
| la part des anges, Galerie Art & Essaie, Université Rennes, France | |
| 1996 | Musik & Licht, Podewil, Berlin (C) |
| sonambiente – festival für hören und sehen, Akademie der Künste, Berlin (C) | |
| Architecture de Son, Architecture d’Air, Le Confort Moderne, Poitiers, France | |
| sculptura ’96, Ulmer Kunststiftung, Ulm, Germany (C) | |
| Kunst im Kasten, Berlinische Galerie, Gropiusbau, Berlin | |
| Take Five, Galerie Claudia Böer, Hannover, Germany | |
| 1995 | Memento, Haus am Waldsee, Berlin (C) Prison Sentences, Eastern State Penitentiary, Philadelphia, US (C) SoundArt ’95, Internationale KlangKunst, EISFABRIK, Hannover, Germany (C) Klangskulpturen Augenmusik, Ludwig Museum im Deutschherrenhaus, Koblenz, Germany (C) Memento, Stadtgalerie im Sophienhof, Kiel, Germany (C) Musique/Arts Plastiques: Intersections, Ecole des Beaux Arts, Clermont-Ferrand, France |
| Memento, Stadtgalerie im Sophienhof, Kiel, Germany (C) | |
| Klangskulpturen Augenmusik, Ludwig Museum im Deutschherrenhaus, Koblenz, Germany (C) | |
| SoundArt ’95, Internationale KlangKunst, EISFABRIK, Hannover, Germany (C) | |
| Prison Sentences, Eastern State Penitentiary, Philadelphia, US (C) | |
| Memento, Haus am Waldsee, Berlin (C) | |
| 1994 | Erzählen, Akademie der Künste, Berlin (C) |
| Die Stillen. Klangräume – Klanginstallationen – Klangwelten, Skulpturenmuseum, Marl, Germany (C) | |
| Erratum musical, zwischen Hören und Sehen – zwischen Bild und Klang, Galerie Böer, Hannover, Germany | |
| Poiesis, Gewächshäuser des Botanischen Instituts Hamburg, Germany (C) | |
| Vierfalt, Internationales Bildhauersymposium, Schwalenberg, Germany (C) | |
| Memento, Positionen zeitgenössischer Kunst aus Berlin, Galerie der Hauptstadt Prague City Gallery, Prague (C) | |
| 1993 | Donaueschinger Musiktage, Donaueschingen, Germany (C) |
| Achetas Space, Exoni Theatre, Athens | |
| 1992 | Die Sehnsucht der elektronischen Medien nach Natur, Gmünder Kunstverein, Schwäbisch Gmünd, Germany (C) |
| Voor de Instabiele Media, Elektronische Kunst, V2, s’Hertogenbosch, Netherlands | |
| Der Deutsche Künstlerbund in Aachen, Ludwig Forum für Internationale Kunst, Aachen, Germany (C) | |
| Fluxus-Virus 1962-92 (Organisation Galerie Schüppenhauer), Munich, Germany (C) | |
| Erscheinungen aus dem Jetzt – Technologische Instrumentierung in Musik, Design, Architektur, Kunst, BMW – Pavillon, Munich, Germany | |
| Werden und Vergehen, Bea Voigt Galerie, Munich, Germany | |
| Amphion, sound installations in Cologne and Potsdam, Luftschutzbunker Ehrenfeld, Cologne, Germany (C) | |
| Ankunft, Kunst-Werke Berlin e.V., Berlin (über Zeit) am Bauhaus, former russian hospital, Dessau, Germany (C) | |
| Barkenhoff Stipendiaten 1987 – 1991, Kunsthalle Bremen, Germany (C) | |
| 1991 | Festival of the Ancient Hill, Tango-Cho / Kyoto, Japan |
| Artec, International Biennale of Nagoya, Nagoya City Art Museum, Nagoya, Japan (C) | |
| (über Zeit) Lichtjahr 19Hundertdoppeltunendlich, Ruine der Künste Berlin (C) | |
| Interferenzen, Manege, St. Petersburg, Soviet Union (C) | |
| Interferenzen – Kunst aus Westberlin 1960-1990, Universität Riga, Soviet Union (C) | |
| Zehn Jahre Kunstfonds, Bonner Kunstverein, Bonn, Italy (C) | |
| Umwandlungen, National Museum of Modern Art, Seoul (C) | |
| 1990 | Konvergenzen – Prolog, Festspielgalerie, Berlin |
| Formen hören, Klänge sehen, Neckarwerke Esslingen, Fellbach, Germany (C) | |
| Eté roman, Eglise de St. Pierre, Melle, France | |
| Biennale of Sydney, Art Gallery of New South Wales, Sydney (C) | |
| Blau, Farbe der Ferne, Heidelberger Kunstverein, Heidelberg, Germany (C) | |
| 1989 | Barkenhoff Stipendiaten, Barkenhoff / Heinrich-Vogeler-Museum, Worpswede Germany (C) |
| Breminale, ehemaliges Altes Gymnasium, Bremen, Germany | |
| Raum und Klang, Mathildenhöhe, Darmstadt, Germany (C) | |
| Universalpoesie, Kunstverein Hamburg, Kampnagelfabrik, Hamburg, Germany (C) | |
| 1988 | Parcours sonores, Parc de la Villette, Paris |
| Universalpoesie, Germanisches Nationalmuseum, Nuremberg, Germany (C) | |
| Universalpoesie, Kunstmuseum Düsseldorf, Germany (C) | |
| Audiowerkstatt, Kongreßhalle Berlin (C) | |
| The city: a stage, Kunststichting Rotterdam, Netherlands | |
| Festival des Arts Electroniques, Eglise du vieux Saint-Etienne, Rennes, France (C) | |
| Klangräume, Stadtgalerie Saarbrücken, Germany (C) | |
| Stanze del Tempo, Centro Brera, Chiesa di San Carpoforo, Milan, Italy (C) | |
| 1987 | Klangräume, Leopold-Hoesch-Museum, Düren, Germany (C) |
| Animal Art, Steirischer Herbst, Graz, Austria (C) | |
| Klang Park, Ars Electronica, Brucknerhaus, Linz, Austria (C) | |
| documenta 8, Neue Galerie, Kassel, Germany (C) | |
| Terra Moriens, Forum Böttcherstraße, Bremen, Germany (C) | |
| Metropodium, Summerfestival Amsterdam | |
| Uruborus, Schleswig-Holsteinisches Landesmuseum, Schleswig, Germany (C) | |
| Klanginstallationen, Gesellschaft für Aktuelle Kunst, Bremen, Germany (C) | |
| 1986 | Festival Internationale de Musique Experimentale, Bourges, France |
| Festival Arte Elettronica, Palazzo Ducale, Camerino, Italy | |
| Ein Anderes Klima, Kunsthalle Düsseldorf, Germany (C) | |
| Muziek Aktueel, Gemeentemuseum De Hague, Netherlands | |
| 1985 | Gaudeamus Music Week, Vrouwen en muziek, De Ysbreker, Amsterdam |
| Le Naufrage du Titanic, Maison de la Culture, Rennes, France (C) | |
| Intorno al Flauto Magico, Palazzo della Permanente, Milan, Italy (C) | |
| Alles und noch viel mehr, Kunstmuseum Bern, Switzerland (C) | |
| 1984 | Sis Dies d’Art actual, Centre Civic Les Cotxeres de Sants, Barcelona, Spain |
| Installation und Performance im Stadtraum, Lagerhalle Scharnhorststraße, Münster, Germany | |
| Klangmaschinen, Stadthalle Dornbirn, Austria (C) | |
| 1983 | aktuell ’83, Galerie im Lenbachhaus, Munich, Germany (C) |
| Andere Avantgarde, Brucknerhaus, Linz, Austria (C) | |
| Kraftfeld Längenfeld, Längenfeld, Austria (C) | |
| Geo d’Arta, Wiener Festwochen, Vienna (C) | |
| 1982 | De jonge kunst uit Duitsland, Museum Boymans Van Beuningen, De Hague, Netherlands |
| Musica oggi, Villa Sairoli, Lugano, Italy | |
| Aperto, Biennale di Venezia, Cantieri Navali, Venice (C) | |
| Art socio critique- histoires d’écoutes, Festival de la Rochelle, France (C) | |
| Sonorità Prospettiche, Sala Comunale d’Arte Contemporanea, Rimini, Italy (C) | |
| Voix et Son, Biennale de Paris (C) | |
| 1981 | Universa Ars, Capo d’Orlando, Italy Incontri di Martina Franca, Studio Carrieri, Martina Franca, Italy Oeuvres plastiques des artistes de la performance, ELAC, Lyon, France (C) Typisch Frau, Bonner Kunstverein, Bonn, Germany (C) Eine Nacht in der Oper, Steirischer Herbst, Graz, Austria Performance Festival, Heidelberger Kunstverein, Heidelberg, Germany (C) Spartito preso – La musica da vedere, Università di Torino, Turin, Italy |
| Performance Festival, Heidelberger Kunstverein, Heidelberg, Germany (C) | |
| Eine Nacht in der Oper, Steirischer Herbst, Graz, Austria | |
| Typisch Frau, Bonner Kunstverein, Bonn, Germany (C) | |
| Oeuvres plastiques des artistes de la performance, ELAC, Lyon, France (C) | |
| Incontri di Martina Franca, Studio Carrieri, Martina Franca, Italy | |
| Universa Ars, Capo d’Orlando, Italy | |
| 1980 | Live Performances, Gemeentemuseum Arnhem, Netherlands (C) |
| Das graphische Bild von Musik, Museum des 20. Jahrhunderts, Vienna (C) | |
| Frau und Musik, Landesmuseum Bonn, Italy | |
| Le camere incantate, Palazzo Reale, Milan, Italy (C) | |
| Il suono, il gesto e oltre, Centro Allende, La Spezia, Italy | |
| Pro Musica Nova, Radio Bremen, Bremen, Germany (C) | |
| Ricerca Suono/Immagine, La Biennale di Venezia, Venice | |
| Mixage, Lantaren/Venster, Rotterdam, Netherlands | |
| Für Augen und Ohren, Akademie der Künste, Berlin (C) | |
| 1979 | Audio Scene ’79, Modern Art Galerie, Vienna |
| Sprachen jenseits von Dichtung, Westfälischer Kunstverein, Münster, Germany (C) | |
| 1978 | Un espace parlé, Galerie Gaëtan, Geneva, Switzerland |
| Venerezia/Revenice, Palazzo Grassi, Venice (C) | |
| Sound – An Exhibition Of Sound Sculpture, Los Angeles Institute of Contemporary Art, Los Angeles (C/LP) | |
| European Artists, Julian Pretto Gallery, New York | |
| materializzazione del linguaggio, La Biennale di Venezia, Venice (C) | |
| 1977 | Intervention sur les mass-media, Galerie Lara Vincy, Paris |
| 10e Biennale de Paris, Musée d’art moderne, Paris (C) | |
| Segno / Identità, Pinacoteca di Ravenna, Italy | |
| Pratica Milano (mit Fabrizio Plessi), Studio Marconi, Milan, Italy | |
| La Performance, Galleria comunale d’arte moderna, Bologna, Italy (C) | |
| Künstlerinnen International von 1877 – 1977, Neue Gesellschaft für Bildende Kunst, Berlin (C) | |
| 02 23 03, Institut d’art contemporain, Montreal, Canada (C) | |
| 1976 | p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; color: #000000} Internationaal Mixed Media Festival, Ghent, Belgium |
| Autunno musicale, Como, Italy | |
| Pro Musica Nova, Radio Bremen, Germany (C) | |
| Foto e Idea, Galleria Comunale, Parma, Italy (C) | |
| 1975 | Frauen – Kunst – Neue Tendenzen, Galery Krinzinger, Innsbruck, Austria (C) |
| 1974 | Autunno musicale, Como, Italy |
(C) = Catalogue, (B) = Book
| Skulpturenmuseum Glaskasten, Marl, Germany | |
| Städtische Galerie am Markt, Schwäbisch Hall, Germany | |
| Hamburger Bahnhof, Museum für Gegenwart, Berlin | |
| Museum Mathildenhöhe, Darmstadt, Germany | |
| St. Martin´s Church, Kassel, Germany | |
| Collection DG-Bank, Frankfurt, Germany | |
| Centre for International Light Art, Unna, Germany | |
| Museum Ostwall im Dortmunder U, Dortmund, Germany | |
| Kunsthalle Bremen, Germany | |
| MASS MoCA, Massachusetts Museum of Contemporary Art, USA | |
| San Francisco Museum of Modern Art (SFMOMA), San Francisco, USA |
| 1974 | Autunno musicale Como, Villa Olmo, Como |
| Environmedia, Milano | |
| 1975 | Musique Nouvelle, Palais des Beaux Arts, Bruxelles |
| Beat 72, Roma | |
| La Cappella Underground, Trieste, Italien | |
| Teatro il Politecnico, Roma | |
| ICC, Internationaal Cultureel Centrum, Antwerpen | |
| Centro Comunale, Alessandria | |
| music promenade, Theater 11, Zürich | |
| Forum für Aktuelle Kunst Innsbruck, Theater am Landhausplatz, Innsbruck | |
| 1976 | International Mixed Media Festival, Gent, Belgium |
| Galerie Giancarlo Bocchi, Milano | |
| Pro Musica Nova Festival, Radio Bremen, Bremen | |
| Experimental Intermedia Foundation, New York | |
| Badischer Kunstverein, Karlsruhe | |
| Autunno Musicale, Villa Olmo, Como | |
| Studio Marconi, Milano | |
| Galleria d’Arte Moderna, Palazzo dei Diamanti, Ferrara | |
| 1977 | 10. Biennale des Paris, Musée d’Art Moderne, Paris |
| Museum Folkwang, Essen | |
| Musica Nova, Kunsthalle zu Kiel, Kiel | |
| Künstlerinnen International, Neue Gesellschaft für Bildende Kunst, Berlin | |
| Europerformance, Galleria comunale d’arte moderna, Bologna | |
| Galerie Inge Baecker, Bochum | |
| Osthaus Museum Hagen, Hagen | |
| Galleria d’Arte Moderna, Ferrara | |
| Magazzeno del Sale, Cervia | |
| Festival des Arts en Belgique, Palais des Beaux Arts, Bruxelles | |
| Magazzeno del Sale, Ravenna | |
| Studio Marconi, Centro Culturale, Milano | |
| 1978 | Julian Pretto Gallery, New York |
| Neue Galerie, Sammlung Ludwig, Aachen | |
| ICC, Internationaal Cultureel Centrum, Antwerpen | |
| Palazzo Grassi, Venezia | |
| Palazzo dei Diamanti, Ferrara | |
| Arnheim, Holland Gemeente Museum,Arnheim | |
| Theater Forum, Krakòw | |
| Badischer Kunstverein, Karlsruhe | |
| Centro Giorgio Morandi, Roma | |
| 1979 | Städtische Galerie im Lenbachhaus, München |
| La musica e la performance, Teatro Civico Comune della Spezia, La Spezia | |
| The Kitchen, Centro for Video, Music and Dance, New York | |
| Castello dell’Imperatore, Prato | |
| The Art of Performance, Palazzo Grassi, Venezia | |
| Videowochen, Museum Folkwang, Essen | |
| Für Augen und Ohren, Akademie der Künste, Berlin | |
| Modern Art Galerie, Wien | |
| Dany Keller Galerie, München | |
| 1980 | Pro Musica Nova, Gesellschaft für Aktuelle Kunst, Bremen |
| Le camere incantate, Palazzo Reale, Milano | |
| Suono / Immagine, La Biennale di Venezia, Venezia | |
| Kellertheater der Stadt Villach, Villach | |
| Festival di Martina Franca, Chiostro di San Domenico, Martina Franca | |
| Landesmuseum Bonn | |
| Mixage International, De Lantaren / Venster, Rotterdam | |
| ICC, Internationaal Cultureel Centrum, Antwerpen | |
| Performance Art Festival, Expositiehuis t’hoogt, Utrecht | |
| 1981 | Symposium International d’Art Performance, ELAC, Lyon |
